最高相似度示例 · 非人工确认结果
目标片段第一个歌剧院出现在了威尼斯Monteverdi的学生Francesco Cavalli把Monteverdi和他自己的歌剧带到了新建的歌剧院里。
来源片段Soon, his student Francesco Cavalli was bringing both Monteverdi's and his own operas to newly built public opera houses.
查看片段位置
19 个展示片段 · 共 20 个展示片段（含上方示例）— 点击展开
S1：2 个窗口回退
来源片段
In the meantime, I want to bring you a half old, half new episode. A long time ago, I did an introduction to opera, and then I did an episode on Mozart's cosy fantute in two parts. And I'm going to do kind of the same thing here. I'm going to redo the introduction to opera, and then I'm going to do a Patreon sponsored look in two parts at Mozart's Marriage of Figaro, my favorite opera, my favorite piece really on the planet. So I want to thank Stanley for sponsoring these two episodes on the Marriage of Figaro, and I really hope you enjoy this introduction to opera and the Marriage of Figaro.
目标片段
大家好， 欢迎来到《独树不成零》你们刚才听到的这个片头曲是莫扎特歌剧《费加罗婚礼》中的序曲，我最终的目的 做这期播客的目的是为了说服你在未来某一天说服你为什么？这是世界上最伟大的一部歌剧？为什么在我心中莫扎特是世界上最伟大的歌剧家？为什么莫扎特的三部意大利语歌剧《费加罗婚礼》《堂皇》和《Cosie Ventute》以及莫扎特的德语歌剧，
来源片段
Soon, this new idea had a name, opera, and 400 years later it remains almost as popular as it ever was. No doubt due to its genre-bending characteristics and incredible capacity for drama. Depending on the composer and performance, you could describe opera, and this is just a few of the possibilities, as a live-action movie musical, a poetry reading with musical accompaniment, or a four-day long exploration of the human psyche through the eyes of ancient mythology. So today I'm going to try to accomplish two things over the next couple of weeks. First we'll do a brief overview of how opera developed all the way up until Mozart's time.
目标片段
首先我们可能会觉得古典音乐本来就门槛很高，而且绝大多数歌剧它还在使用意大利语、法语、德语、俄语演唱，对吧？这些语言我们听都听不懂，它在唱的时候，让我们更加望而却步。我完全理解。所以说今天这期播客我们来讨论如何鉴赏歌剧，我想要用尽可能简单的形式和分类向大家解释什么是歌剧歌剧过去400年的历史是怎样的？我相信当你了解了这些基础知识以后，你会进入一个全新的新潮澎湃的世界。
来源片段
This was a group of artists and intellectuals who met in Florence at the court of Count Giovanni de Bardi.
目标片段
这个小团体，弗罗伦萨文艺会，他们在弗罗伦萨的伯爵Count Giovanni de Barty的空庭中聚会，
来源片段
One of their main focuses was on the revival of Greek drama.
目标片段
他们的主要目标之一是复兴古希腊戏剧依靠当时文艺复兴时代正在蓬勃成长的对于古典文明的研究，
来源片段
This discovery led to the invention, or reinvention I guess, of the retitutivo, a device that became ubiquitous throughout the opera world all the way through the time of Mozart. What's a retitutive?
目标片段
或者说是重新发明了宣序调。后来成为了歌剧界广泛使用的手法，一直延续到莫扎特时代。
来源片段
Using a single melodic line to tell an entire story, the Camerata believed that they were recreating the original performances of the Greek dramas.
目标片段
他们通常使用的是单一旋律线来叙述整个故事，旨在重现古希腊戏剧的原始演出形式。
来源片段
The music would usually use a harpsichord or a lute to accompany the voice, providing a simple harmonic backing.
目标片段
这种音乐通常由大剑琴或者是鲁特琴伴奏为人的声音提供简单的和声支撑。
来源片段
And in looking back to the Greek dramas and their simple harmonic lines, they thought they were returning to a more pure form of art, one that was understandable both musically and intellectually.
目标片段
他们希望将音乐回归到古希腊戏剧以及简单的和声线来复兴，一种更加纯粹的艺术形式。
来源片段
So what was the point of the polyphony? Rhetjititiv with its single line and sparse accompaniment radically alleviated this problem. And this is where Jakobo Perry comes in. Perry realized that he could bring together the Rhetjitiv with arias or songs. The arias would be showcases for the singers while the Rhetjitivs served mostly to move the story along. This simple melding of song and speech would result in our first opera, Jakobo Perry's Daphne. Unfortunately, the score to Daphne is almost completely lost today, but Yuridice, his second opera, survives.
目标片段
在副调音乐的交织中，我们根本就听不清楚歌词的内容，而且宣续调歌剧中的宣续调。这种以单声部线条稀疏的伴奏可以极大的解决Polyphony副调中的问题。所以那个歌剧的起源就是一种对于古希腊戏剧复兴的渴望。希望可以复兴，一种在音乐和智力上都更加易于理解的形式。在这里我给大家播放一小段，我们现在能够聆听到的最早的写于1600年的歌剧Yacobo Perry创作的Eurydice.
来源片段
Monteverdi can't be missed if you're doing a brief survey of opera because his operas are not only some of the only operas from this period that are still performed today, but his music was also partially responsible for a huge development, namely taking opera out of the courts and into the public sphere. This was so important because when Perry's operas were first performed and the Florentine Camarado was codifying their ideas about how to make Greek drama come to life through Rhetjitiv, very little of this music was being heard by the general public.
目标片段
这是一种让当时的意大利人感到非常奇特的创新。因为之前的戏剧都以口述为主，在一整个歌剧史上，Perry和Monteverdi是两位发明了歌剧，
来源片段
Most of it was heard by the courts, which were the seats of political and cultural power during the Italian Renaissance. Some of these courts were huge, but they were still a small percentage of the population in Italy, and the music that the general public heard was almost exclusively church music.
目标片段
宫廷是意大利文艺复兴时期的政治和文化权利中心，哪怕有一些宫廷规模很大，但是能够在宫廷里听到音乐的都是一小撮人，是精英。普通大众听到的音乐，在歌剧之前，几乎全部都是教会音乐，歌剧出现着伴随着是什么？
来源片段
Monteverdi was one of the most popular composers of his time, writing operas like Orfeo, and in the middle of his long and successful career, Monteverdi moved to Venice.
目标片段
在他漫长而成功的职业生涯中期Monteverdi迁居至了威尼斯1937年。
来源片段
Opera seria stayed mostly in the courts since the libretti were often written to glorify great rulers of the past, giving the nobility in the audience a feeling that they were carrying on a certain tradition, and ensuring that maybe someday operas would be written about them as well. Musically, there were a few defining characteristics of opera seria, but for now I'll only talk about two of them.
目标片段
严肃歌剧正歌剧主要面对的是以前的这些观众，皇宫贵族，他通常会歌颂某个过去的伟大统治者，让贵族感到自己仍然在传承一种传统，并且让他们相信歌剧这种艺术形式仍然为他们创作。
来源片段
While we don't know what castrati sounded like in the 18th century, obviously, there is one recording left of a true castrati singer, Alessandro Morechi, which was made while he was in his 50s. This is a fascinating historical topic, which I'll talk about more on your Patreon exclusive mini-episode.
目标片段
所以说他们的声音能够保持幼童一般的纯真，给大家播放一个真实存在的烟人歌手Alessandro Morecci的录音。这是他50多岁时候录制的这是一个Castrati烟人歌手的声音。
来源片段
These two forces, opera seria and opera bufa, competed until the mid-1750s, when the reforms of Christoph Gluck brought them in some senses together. Gluck was a musical reformer who thought that both forms of opera, comedic and serious, had become stale and uninteresting.
目标片段
歌剧你可以说一整个巴洛克时期的歌剧就是严肃歌剧和小丑歌剧之间的互殴，一直到了1750年古典时期Christophe Gluck这个人很重要Christophe Gluck他站出来他也是一个作曲家。他站出来说，这两种歌剧形式，严肃歌剧和小丑歌剧都已经变得臣服。
来源片段
Gluck was a musical reformer who thought that both forms of opera, comedic and serious, had become stale and uninteresting. In serious opera singers had become totally indulgent, often ornamenting and improvising so much that the audience would have no idea what the original melody was.
目标片段
而无趣了，严肃歌剧里有太多的即兴发挥，让观众听不出来原来的旋律而喜剧歌剧里又有太多的刻板印象和喜剧套路。在这个人Gluck改歌之后，古典时期的歌剧开始减少，文本，重复减少即兴发挥。
来源片段
And so Gluck wanted to take these genres and refocus them on their original point, that original idea of the Florentine camarada from nearly 150 years before, which was the drama of the text and the story. In essence, Gluck wanted to take power away from the singers and return it back to the text.
目标片段
他呼吁让我们回到150年前最初的歌剧理念、文本和故事的戏剧性表达减少，即兴发挥减少歌剧明星。为了炫技而存在的长段落，让音乐服务于诗意的表达而不干扰剧情Gluck的这个改革非常重要。
来源片段
The first explosion of joy is often marked by the curtain rising on stage, as if the sun has come up on the mad day to come.
目标片段
这第一次爆发的喜悦，通常伴随着舞台帷幕升起，仿佛太阳在疯狂的一天中升起，莫扎特使用了好几个技巧来增加兴奋感。
来源片段
First he employs cascading scales down while the harmony rises, a contrary motion that leads to anticipation, and then gathers the whole orchestra for a thrilling scale up to the first climax of the overture just about 30 seconds into the piece. Mozart is a master of proportion.
目标片段
他在和声上升的同时，音阶下降，这种对比增加了我们的期待。然后全体乐队一起演奏迅速上升至续曲的第一个高潮。